The story of the cross destiny of George Orwell (1903-50) and Aldous Huxley (1894-1963), the genius authors of the two most groundbreaking novels of anticipation of the 20th century: 1984 and Brave New World; two lucid witnesses of the maledictions of the modern world whose novels have found a considerable echo with our time.

With the rapid emergence of digital devices, an unstoppable, invisible force is changing human lives in ways from the microscopic to the gargantuan: Big Data, a word that was barely used a few years ago but now governs the day for many of us from the moment we awaken to the extinguishing of the final late-evening light bulb. This massive gathering and analyzing of data in real time is allowing us to not only address some of humanity biggest challenges but is also helping create a new kind of planetary nervous system. Yet as Edward Snowden and the release of the Prism documents have shown, the accessibility of all these data comes at a steep price. The Human Face of Big Data captures the promise and peril of this extraordinary knowledge revolution.

Irene Andersen is a professional bodybuilder, a mother of three and soon 50 years old. She has had a dream since 30 years back of becoming the most muscular woman in the world. But while Irene train harder than ever female bodybuilding around the world is being shut down and the film takes a new direction. Why are muscles on women so controversial? Both in society and in the Fitness world? Where does the prejudices come from? What is feminine and what is masculine? Participating in Too big for the world is several of the top athletes in female bodybuilding and pioneers from when Bodybuilding once started. Too big for the world is the first modern film that has a historical approach on female muscularity. The film is also a tribute to people who goes their own way no matter what society thinks. A tribute to people who are Too big for the world.

On the lookout for polar bears in the Arctic, a wildlife photographer realizes she may have missed more than a shot.

One Room. Two Men. One bold conversation. In 1963, famed author James Baldwin sits with BBC journalist Peter Duval Smith as the legendary writer expresses his perception on the plight of racism in America, and the importance of compassion for your fellow human being.

Trump's Big FUSS is a powerful acronym capturing Trump's vision for America and his fight for US sovereignty, standing firm against globalist elitists.

Continuing the series started with Intervened Events (2014), the Buenos Aires Film Museum presents the second feature film made entirely with material from its archives and by fourteen outstanding Argentine filmmakers. These are nine issues of Cine Escuela Argentino, a project created in 1948 by the Argentine Ministry of Education during the first government of Juan Domingo Perón. The latter promoted “the use of the cinematographer as a didactic assistant destined to complete the educational and cultural work, mainly in what concerns exalting the feelings of the nationality, with the heroic example of the heroes, Christian morality and the multiple civil duties, great and small”. Hence, most of the films produced by Cine Escuela Argentino were aimed at scientific dissemination and tourism promotion of the various regions of the country. (Museum of Cinema)

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暂无剧情简介

该剧由孔侑，李敏贞及miss A成员裴秀智等人主演，是讲述男主人公因为意外而灵魂转换的喜剧故事。男主人公徐允在是一名30多岁的医生，却拥有18岁少年的灵魂。允在的未婚妻吉多兰因为未婚夫的突然转变也遭遇了前所未有的经历……